Marian Bantjes is one of the most creative designers I have
heard about to this day. Bantjes is so creative that most of her colleagues
don’t even see her as a designer, but more of an illustrator. Her first job was
a typesetter for an illustration book company, after that she started working
at Digitopolis where she felt restricted and couldn’t sell her creativity to
clients. Later in her life she was able to build a house of her own in Bowen
Island where she now lives. Her house is a workspace for her where she can use
sleep as her creative process and is no longer “a waste of time” as she used to
call it. Before Bantjes started to work on graphic designs, she would avidly
post on her blog at the time called Speak Up! What she wrote in her articles
was nothing compared to what others were writing, she wrote about deconstructing
the alphabet, the difference between santa and a genome, and she would also
have high level discussions with great designers of the time. Bantjes stressed
how important it is for her to start her creative process by sketching with
pencil and paper and not jumping directly to the computer because most of the
time her end results would be considered garbage. It is very difficult to pour
out ideas on a computer that has restrictions unlike pencil and paper where the
pencil can move freely. Bantjes is obsessed with patterns and finds pleasure in
creating them; she said that a good pattern works well because it integrates
well with the pattern next to it. Bnatjes was always creating something different
and was always ahead of her time, but when she turned forty she completely
shifted style. She started working on Valentine’s Day cards with a new theme
every year. Having watched this documentary allowed me to expand my creative
process, work against what is expected, and resist the autopilot design.
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